From August 1989 to March 1990, Heiner Müller and the Deutsches Theater ensemble develop “Hamlet/Maschine” amid East Germany’s peaceful uprising. Actors help organize the November 4, 1989 Alexanderplatz demonstration. After the wall falls, artists split between a “third way” and reunification.

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An economics expert from the West is contracted by a large firm to assist in the reorganization of a debt-ridden steel plant in the former Eastern Bloc. Believing himself to be eagerly awaited, he finds that his position has already been taken: Another man has already begun the job in his name, obviously with official approval. What first appears to be a strange mix-up soon turns into a threat to his existence when he discovers that not only his professional, but also his private identity has been assumed by the stranger.

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